Blek le Rat
Blek le Rat biography
Recognised as the pioneer of Paris street art, Blek le Rat (born Xavier Prou in in Paris) has been painting committed pieces in the streets since the early eighties. He is often described as « the father of stencil graffiti ».
When Blek le Rat visited New York in this was the very first time he had ever seen graffiti in his life. When he came back to France with colourful graffiti images in mind, Blek enrolled at Ecole des Beaux-Arts de Paris to study etching, seriography and lithography. He then went on studying architecture, learning the impact of space and the creative possibilities of the urban environment. He started stenciling the walls of Paris in &#; when street painting had not yet become associated with criminal activity &#; spray-painting small black rats running along the walls of the fourteenth Arrondissement.
He chose the pseudonym « Blek le Rat » in reference to an Italian comic book « Blek le Roc », using « rat » as an anagram for « art ». Throughout the &#;s, Blek&#;s art developed from small pieces into life-size characters like the representation of famous Andy Warhol,
BLEK LE RAT
Blek le Rat began his painting career with stencils of rats on the walls of Paris streets. Born Xavier Prou, his pseudonym name originates from the comic book Blek le Roc using ‘rat’ as an anagram for ‘art’. Blek le Rat has been described as the “Father of stencil graffiti”, influencing many of today’s graffiti-art and “guerrilla-art” movements.
British graffiti artist, Banksy, has acknowledge Blek’s influence stating "every time I think I've painted something slightly original, I find out that Blek le Rat has done it as well, only twenty years earlier." The respect works both ways, as Blek was seen in adding to a mural begun by Banksy the previous year in the Mission District, San Francisco.
Many of Blek’s pieces are pictorials of solitary individuals in opposition to larger, oppressive groups. In Blek began a series of images representing the holes, depicting them standing or lying on sidewalks, in attempts to bring attention to what he views as a global problem.
Blek has been exhibited in UK, Australia and America with his stencil art work. Although Blek l
Blek Le Rat
Born in , Xavier Prou (better known as Blek Le Rat), is one of the first graffiti artists in Paris. He is the founder of the international stencil art movement. After a trip to the USA in , Blek first witnessed the ‘wild style’ graffiti prevalent in New York City. This left a lasting mark on him. After his impressions from his visit to New York, Blek Le Rat started painting the streets of Paris in He chose a different technique – the stencil – as more appropriate for the French architecture.
Blek Le Rat&#;s first stencils were black rats, seen to be running along the walls throughout the centre of Paris. The rat, also an anagram for ‘art’, is in Blek’s mind “the only animal to survive the apocalypse“. In Blek began to paint life-size stencils. Alongside his rats, these have become his trademark style and have influenced generations of street artists around the world.
Dedicated to the idea of bringing art to the people, Blek often quotes the old masters like Caravaggio, Michelangelo, Guido Reni and Leonardo da Vinci. “I want the characters of the paintings to walk out of the museums to give them back to the people of the city” he says. In the mid s, Blek’s work evo
Blek le Rat
Born in , Xavier Prou (better known as Blek Le Rat), was one of the first graffiti artists in Paris, and is the founder of the international stencil art movement. During a trip to the United States in , Blek was introduced to the ‘wild style’ graffiti prevalent in New York City, which left a lasting impression on him. Inspired by what he saw in New York, Blek began painting the streets of Paris in , choosing a different technique – the stencil – as more appropriate for the French architecture.
Blek’s first stencils were black rats, seen to be running along the walls throughout the centre of Paris. The rat, also an anagram for ‘art’, is in Blek’s mind “the only animal to survive the apocalypse“. In Blek began to paint life-size stencils, which alongside his rats, have become his trademark and have influenced generations of street artists around the world. Blek considers his images as gifts to the cities of the world, raising awareness of social issues. His heroes are solitary individuals crossing through the urban space – women, children, the elderly and other contemporary figures in an urban city. Dedicated to the idea of bringing art to the people, Blek often quote
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