Cristina Rivera Garza is the M.D. Anderson Distinguished Professor and director of the PhD program in creative writing in Spanish at the University of Houston. She studied urban sociology at the National Autonomous University of Mexico and received her PhD in Latin American history from the University of Houston. Rivera Garza is the author of six novels, three collections of short stories, five collections of poetry, and five works of creative nonfiction. Originally in Spanish, her works have been translated into multiple languages. The recipient of a MacArthur Award (), Roger Caillois Award for Latin American Literature (), and the Anna Seghers Prize (), she is the only author who has won the International Sor Juana Inés de la Cruz Prize twice—in for her novel Nadie me verá llorar (translated into English by Andrew Hurley as No One Will See Me Cry) and in for her novel La muerte me da. She has translated, from English into Spanish, Notes on Conceptualisms by Vanessa Place and Robert Fitterman; The Undercommons: Fugitive Planning and Black Study by Fred Moten and Stefano Harney; The Dead Girls Speak in
Cristina Rivera Garza is the M.D. Anderson Distinguished Professor and director of the Ph.D. program in creative writing in Spanish at the University of Houston. She studied urban sociology at the National Autonomous University of Mexico and received her PhD in Latin American history from the University of Houston. Rivera Garza is the author of six novels, three collections of short stories, five collections of poetry, and five works of creative nonfiction. Originally in Spanish, her works have been translated into multiple languages. The recipient of a MacArthur Award (), Roger Caillois Award for Latin American Literature (), and the Anna Seghers Prize (), she is the only author who has won the International Sor Juana Inés de la Cruz Prize twice—in for her novel Nadie me verá llorar (translated into English by Andrew Hurley as No One Will See Me Cry) and in for her novel La muerte me da. She has translated, from English into Spanish, Notes on Conceptualisms by Vanessa Place and Robert Fitterman; The Undercommons: Fugitive Planning and Black Study by Fred Moten and Stefano Harney; The Dead Girls Speak in Unison by Danielle Pafunda; and, from Spanish into English, “Ni
M.D. Anderson Professor in Hispanic Studies Office: AH Cristina Rivera Garza, Ph.D.,&#;is the award-winning author of six novels, three collections of short stories, five collections of poetry and three non-fiction books. Originally written in Spanish, these works have been translated into multiple languages, including English, French, Italian, Portuguese and Korean. The recipient of the Roger Caillois Award for Latin American Literature (Paris, ); as well as the Anna Seghers (Berlin, ), she is the only author who has won the International Sor Juana In&#;s de la Cruz Prize twice, in for her novel Nadie me ver&#; llorar (translated into English by Andrew Hurley as No One Will See Me Cry ) and again in for her novel La muerte me da. She has translated, from English into Spanish, Notes on Conceptualisms by Vanessa Place and Robet Fitterman; and, from Spanish into English, "Nine Mexican Poets edited by Cristina Rivera Garza," in New American Writing She was the Breeden Eminent Scholar at Auburn University in Fall and a fellow at the UCSD Center for Human
Cristina Rivera Garza is a Mexican author and professor popularly known for her fictional books including Non-One Will See Me Cry which has won several awards in both Mexico and abroad. Born in Tamaulipas, Cristina advanced her teaching and writing career in both Mexico and the United States. Cristina’s books were initially written in Spanish but have since been translated into French, English, Korean, Portuguese and more. Liliana&#;s Invincible Summer: A Sister&#;s Search for Justice is an unforgettable memoir that Cristina Rivera wrote about her young sister who brutally murdered. Ten women in Mexico become victims of femicide, a hate crime motivated only by their gender, on a daily basis. This is a startling truth. This phrase, which is frequently disregarded in the US, need to be widely known and utilized. The mainstream discourse in America around these crimes often portrays them as ano
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Cristina Rivera Garza
Director of the Creative Writing Program in Hispanic Studies
Email: criverag@
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